Prehistoric Sculpture

Sculpture is one of the oldest forms of art – prehistoric people even carved sculptures before they painted. But only a few objects remain to display what sculpture was really like thousands of years ago. From surviving prehistoric pieces, we can determine that sculptures were not originally made to be visually appealing; they were instead used to provide spiritual support.

Sculptural work from the Paleolithic period consisted mainly of figurines, beads and decorative objects constructed with stone, bone, ivory, clay, and wood. Most sculptures from this period were found in caves, as they were commonly the locations for ritual gatherings. The caves also helped to protect these items over time.

The oldest known prehistoric piece of sculpture art is the Venus of Berekhat Ram, found on the Golan Heights, which dates back to the Acheulean culture. Made of volcanic rock, the sculpture is intensely primitive in style. The sculpture is one of many Venus figurines found in Europe, dating from the Upper Paleolithic period. They were quite small, only measuring between 4 and 25 centimeters, an ideal of beauty from that time. They were oval shapes, lacking hands and feet, with large bellies, breasts and wide-set thighs. Although initially thought to be symbolic of fertility, the true significance of the Venus figures remains obscure, similar to a vast amount of other prehistoric art.

Selecting the Right Sculpture for Your Home

Selecting art for your home can be challenging. After selecting the pieces that appeal to you most, you’ll need to consider how they will fit with the rest of your home’s interior design, and how to exhibit it in the best way possible.

Make sure to keep size in mind when selecting a sculpture – A sculpture that is too large may overwhelm the area, and if too small, could go unnoticed. Find an appropriate space for the sculpture, and determine the size sculpture that would fit best. Make sure it will not reside too close to another piece of art to avoid overcrowding.

Keep color in mind when selecting your art, too. If you’re in a room with brown walls, a bronze sculpture may not go as noticed as it would in a white-walled room.

If you feel none of the rooms in your home are suiting your new piece of art, try making some changes. Something as simple as removing some decorative wallpaper or rearranging furniture could be all you need to accommodate your sculpture. It could take some work, but the effort will be well worth enjoying your new piece of art.

Jean Jacques Porret is a proud artist known for his breathtaking metal sculptures, and is honored when you consider his work to be part of your home or office. To learn more, contact J. J. Porret today.

Preserving Outdoor Bronze Sculptures

Beautiful outdoor sculptures decorate parks and federal buildings and stand as memorials to those who have come before us all across this great land. Many are made of durable bronze which is meant to withstand the elements and exposure to sun, rain, wind, sleet and snow. But, over time, the harsh weather and environment can start to take its toll on the sculpture. Light and heat can fade pigments and break down protective lacquers. Dirt can build up in crevices, hard water can cause unsightly streaks and wind and rain can wear away wax coatings.

Taking proper care, including regular maintenance of your outdoor bronze sculptures will ensure they are kept in good condition. Here are a few tips to keeping your sculptures looking as beautiful as the day they were created.

• Inspect and photograph annually.
• Look for signs of corrosion around the base. Are there stress craps or rust? Structural issues are critical and should be addressed promptly.
• How does the coloring look? Excluding coloring that is intentional, green or white streaks are a sign of corrosion or mineral build-up. Corrosion should be addressed immediately before it permanently damages the sculpture, and mineral build-up can be removed to improve the appearance.
• Pay attention to surface conditions. All areas should have a consistent sheen of an even protective coating.
• Once you’ve inspected its condition, it’s time to clean the sculpture. Use a regular pressure hose, a soft nylon bristle brush or sponge and non-ionic detergent to remove dust and debris.
• Finally, add a layer of wax to protect the surface.
•  If during your inspection and cleaning you found any structural damage or corrosion, it is important to contact a conservator for repairs.

Art: At the Heart of Mankind

Since the beginning of mankind, humans have attempted to demonstrate their feelings of love, life and religion by creating art. Whether it is a painting, sculpture art, architecture or cave drawings, art has been at the heart of man all along. Art has allowed us a glimpse into the life and times of those artists - viewing the world as they saw it then and as they see it now. 

As technology has progressed and techniques have been created and passed on to a new generation, art history has been divided into periods based upon those techniques and trends. Take a step back through the evolution of art through their periods, exploring their characteristics and chief artists. 

1900-1935 – Fauvism and Expressionism            

Characteristics: Harsh colors and flat surfaces (Fauvism); emotion distorting form
Chief artists:  Matisse, Kirchner, Kandinsky, Marc
Historical Event: Boxer Rebellion in China (1900); World War (1914–1918)

1905-1920 – Cubism, Futurism, Supremativism, Constructivism, De Stijl
Characteristics: Pre– and Post–World War 1 art experiments: new forms to express modern life
Chief artists:  Picasso, Braque, Leger, Boccioni, Severini, Malevich
Historical Event: Russian Revolution (1917); American women franchised (1920)

1917-1950 - Dada and Surrealism
Characteristics: Ridiculous art; painting dreams and exploring the unconscious
Chief artists:  Duchamp, Dalí, Ernst, Magritte, de Chirico, Kahlo
Historical Event: Disillusionment after World War I; The Great Depression (1929–1938); World War II (1939–1945) and Nazi horrors; atomic bombs dropped on Japan (1945)

1940s-1950s – Abstract Expressionism ; 1960s – Pop Art
Characteristics: Post–World War II: pure abstraction and expression without form; popular art absorbs consumerism
Chief artists:  Gorky, Pollock, de Kooning, Rothko, Warhol, Lichtenstein
Historical Event: Cold War and Vietnam War (U.S. enters 1965); U.S.S.R. suppresses Hungarian revolt (1956) Czechoslovakian revolt (1968)

1970-Present  - Postmodernism and Deconstructivism
Characteristics: Art without a center and reworking and mixing past styles
Chief artists:  Gerhard Richter, Cindy Sherman, Anselm Kiefer, Frank Gehry, Zaha Hadid
Historical Event:  Nuclear freeze movement; Cold War fizzles; Communism collapses in Eastern Europe and U.S.S.R. (1989–1991)

History of Modern Sculpture

Modern sculpture arose symbiotically with similar artistic trends in painting and drawing in Europe during the 1800s, lasting until around 1950. It is widely considered to have begun with the work of the French artist Auguste Rodin (1840-1917), who is the forefather of the movement. Rodin is credited with ushering in a new approach and subject matter to the creation of sculpture.

Rodin's work signified a departure from the traditional themes of mythology and allegory prevalent during his time, and instead modeled the human body with intense realism, celebrating the individual character, psychological states, and physicality of his subjects.  The Rodin exhibit at the 1900 Paris Exposition Universelle ("world's fair") is widely believed to be the precise beginning of the modern sculptural movement.

He is known for turning away from the idealized traditions of the Greeks and decorative beauty of the Baroque and Neo-Baroque movements, thereby departing with centuries of tradition. Sculptural movements that developed as a result of Modernism include:  Art Nouveau, Cubism, Geometric Abstraction, De Stijl, Suprematism, Constructivism, Dadaism, Surrealism, Futurism, Formalism, Abstract Expressionism, Pop-Art and Minimalism among others.

Fast forward approximately 100 years and the expressionist sculptures of JJ Porret are a dissension of the great Rodin. Visit his site to view a sampling of his modern sculpture creations.

Understanding Abstract Art

To each pair of eyes, abstract art takes on its own meaning. What one sees when they view an abstract sculpture is completely subjective and can be totally different from that of another. It too means that the emotions, feelings and connection felt with an abstract sculpture varies from person to person. Yet, that, that is the beauty of art, particularly in the abstract variety.  

 When viewing a piece of abstract art, a person is inclined to solve the riddle of what it is about. Each artist has a starting point that is the source, or inspiration, behind the work. The first indication to help you understand what an abstract painting or sculpture is about is the creations title. The name behind the art piece will more than likely give you a clue. However, it won’t take you very far - unless you’re willing to think more creatively. 

What does the piece prompt you to think about? How does what you’re looking at make you feel? These are all sure-fire starting points. Begin with asking yourself these kinds of questions and you’ll find the answers a lot less mysterious.

Abstract sculptures and art allow the creator to interpret a subject freely and uniquely, using a visual language of shapes, forms, lines and colors to interpret a subject-matter, without necessarily providing the viewer with a recognizable visual reference point. This holds true for JJPorret, as well. The uniqueness of JJ’s artistry is his strong individuality mixed with tremendous sensitivity that make his abstract sculptures truly one-of-a-kind. View his outdoor sculpture gallery for a preview of some of this tremendous works.

An Experience To Remember

Blending the familiar and the unknown to create truly captivated pieces of artwork, JJ Porret’s sculptures are a masterpiece to behold! Specializing in the lost wax technique of casting bronze, his creations are a surrealistic view of the human form blended with abstract shapes.

Porret represents people in the abstract, one form softly melting into the next. On some pieces there are fragments of granite or marble jutting and piercing through the bronzes, blending the forces of nature and man, creating a stunningly modernistic and seductive interpretation of the human form.

In recent years, as Porret has evolved as an artist, he has incorporated marble and granite into his bronze and metal sculptures. Dissatisfied with the quality of the sculpturing bases, he bought a granite and marble company in order to have complete control in their creation. From top to bottom, every statue from Porret has his distinct touch. 

Today, Jean-Jacques bronze and metal sculptures can be seen in innumerable collections around the world, including Europe, Japan and the United States. Seeing one in person is a truly spiritual and uplifting experience and one you not soon forget. To learn more about the artist and to preview his many magnification creations, visit his website today.